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  • FINDING ANGLES, SHAPING LIGHT,
    BENDING COLOUR, MAKING MOVES...

    It’s the choices that happen behind the lens that define what happens in front. As a cinematographer, it’s these choices I make every day, on location, all over the world photographing many acclaimed films & television series.

    It’s also the knowledge that I share through my workshops & speaking engagements. Helping others acquire the techniques that will take their video & lighting to a higher level
     Pieter de Vries ACS

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Coming up

AFTRS 5D course
PDV weekend workshop
Rockdale Council workshop
Sydney Filmmakers Club workshop
Orion Expedition lecture cruise to Russia

How do I light a campfire scene?

You will have to supplement the light coming from the campfire flames with artificial sources. The best lights to use for is are small 12 volt battery lights.

The idea is to make the glow from these lights appear to be a natural part of the scene and the easiest way to do this is to include a lamp in the shot and placed it to one side to sidelight the people sitting around the campfire.

A kerosene lamp or battery fluorescent light could do and would not look out of place. By side-lighting your subjects, you create an unlit darker side to the faces of those sitting around the fire and this allows the flames from the campfire to play on this dark side of the face.

The output of a practical lamp is sometimes not enough, so you may need to hide a few battery lights to lift the level of what is already happening with the camp-light. Place your battery light just out of shot, and at an angle that makes it appear that it's the practical in-shot lamp that's doing all the illuminating.

Finally, you could try to get some light happening behind the actors to separate them from the black night in the background - headlights from a vehicle are great for this. The vehicle should be just out of shot and the headlights shining on to the back of the people or illuminating a tree in the immediate background.

If it’s a period story using just campfire light, use your battery light again, but this time place it on the ground pointing up at the actor/s. Some orange gel (CTO) doubled up and placed over the light source will give it the warm firelight colour, and a little diffusion will help blend it in with the firelight. Make certain that the level of light is low so that you can still see some of the flames from the fire playing on the face. Keep the flames burning so have lots of wood standing by.

Pieter de Vries ACS